The Italian Screenwriter
How 'Mad Max: Fury Road' Is Written Like It's a Love Story
9:22
The Italian Screenwriter
'Mad Max: Fury Road' Trailer but it’s a Romcom
1:40
The Italian Screenwriter
What Is a Plot Twist?
14:12
The Italian Screenwriter
The Zone of Interest – How Sound Makes Its Screenplay Unique
4:41
The Italian Screenwriter
The Zone of Interest – The two most chilling scenes in recent cinema
1:29
The Italian Screenwriter
Eastern vs. Western Heroes: What Really Sets Them Apart?
10:28
The Italian Screenwriter
‘Demon Slayer’ but it’s only Zenitsu being a pervy teenager
2:04
The Italian Screenwriter
Scott Pilgrim Takes off vs. The 2010 Film: What Changes?
6:29
The Italian Screenwriter
'Scott Pilgrim Takes Off' — Every Fight Intro
1:18
The Italian Screenwriter
'Scott Pilgrim Takes Off' But It's Only Ramona Flowers Changing Her Hair Color
1:58
The Italian Screenwriter
Guardians of the Galaxy Screenplay Analysis Clip
0:40
The Italian Screenwriter
The Last Night of Amore: A (Nearly) Flawless Italian Action Film
7:26
The Italian Screenwriter
How Guardians of the Galaxy Masters Emotional Climaxes
7:21
The Italian Screenwriter
'The Last of Us' but it's only Joel being a dad to Ellie
14:19
The Italian Screenwriter
The Last of Us — How to Write Beautiful Subtext
3:48
The Italian Screenwriter
The 7 Key Elements for crafting a Successful Midpoint in your Story
0:37
The Italian Screenwriter
How to Write an Amazing Midpoint
12:02
The Italian Screenwriter
How 'Les Revenants' Challenges the Boundaries of Horror
11:40
The Italian Screenwriter
Lena meets her sister Camille after 4 years. From ‘Les Revenants’
0:49
The Italian Screenwriter
Coldest kill in cinema history
0:13
The Italian Screenwriter
How to write a pilot episode for a TV Series - House of the Dragon
0:23
The Italian Screenwriter
What is the meaning behind the opening image of House of the Dragon?
0:41
The Italian Screenwriter
House of the Dragon episode 1 breakdown and analysis snippet
0:24
The Italian Screenwriter
'House of the Dragon' Pilot Breakdown
13:35
The Italian Screenwriter
Boys will be boys. Ennio Morricone, Dario Argento, and colleagues having fun just by singing
0:21
The Italian Screenwriter
Ennio Morricone vocalizing in a questionable manner his theme for ‘The Good, the Bad and the Ugly”
0:08
The Italian Screenwriter
Ennio Morricone making random noises
0:09
The Italian Screenwriter
'Ennio: The Maestro' but it's only the Actors Vocalizing Ennio's Soundtracks
3:30
The Italian Screenwriter
How the Ultimate Villain Is Written
15:06
The Italian Screenwriter
Darth Vader. An attractor in "Return of the Jedi".
0:39
The Italian Screenwriter
Darth Vader is a trickster in “The Empire Strikes Back”.
0:50
The Italian Screenwriter
Darth Vader. The most iconic villain in the history of fiction.
0:30
The Italian Screenwriter
How Joel Coen Uses Shakespear's Five-Act Structure
9:42
The Italian Screenwriter
Tear along the dotted line – The power of Storytelling
7:05
The Italian Screenwriter
Zero and Alice - Tear Along the Dotted Line (Strappare lungo ai bordi)
0:52
The Italian Screenwriter
Unpacking the Cinematic Masterpiece: A Story Structure Analysis of Dune
11:56
The Italian Screenwriter
Redefining Evil: A Closer Look at Cruella's Transformation from Villain to Hero
10:52
The Italian Screenwriter
Emma Stone as Cruella De Vil
0:41
The Italian Screenwriter
Does "Perfect Strangers" have a protagonist? #Shorts
0:30
The Italian Screenwriter
Why 'Perfect Strangers' Is Good, but Not Great
22:53
The Italian Screenwriter
The Queen's Gambit - The Art of Masterful Conflict
14:25
The Italian Screenwriter
The Mandalorian and the Power of Genre
15:33
The Italian Screenwriter
How to Use Storytelling for Marketing
12:48
The Italian Screenwriter
The Italian Screenwriter Live Stream
The Italian Screenwriter
The Flaws Behind the Death Note Film
13:29
The Italian Screenwriter
How to convey emotions through poetry — I'm Thinking of Ending Things
8:36
The Italian Screenwriter
What Makes Love Stories Great?
12:19
The Italian Screenwriter
What Is Wrong With the Story of 'The Last of Us Part II'?
24:45
The Italian Screenwriter
Toy Story 4: Woody's 24-year Character Arc
12:16
The Italian Screenwriter
How Jim Jarmusch Breaks Conventions - 'The Dead Don't Die'
7:54
The Italian Screenwriter
How Suspense Is Written in 'Once Upon a Time in Hollywood'
6:42
The Italian Screenwriter
The Power of Subtext in 'Moneyball'
6:20
The Italian Screenwriter
Patreon presentation - Why it makes sense
2:08
The Italian Screenwriter
'Gone Girl': A Story Analysis
5:26
The Italian Screenwriter
Why 'Solo: A Star Wars Story' Isn't That Good?
6:11
The Italian Screenwriter
The Hidden Power of 'Casa de Papel'
6:23
The Italian Screenwriter
Parasite - A scene breakdown
7:26